Showing posts with label Wolfgang Amadeus Mozart. Show all posts
Showing posts with label Wolfgang Amadeus Mozart. Show all posts

Monday, June 20, 2011

Mozart on View

Music aficionados who find themselves in New York City this summer will not want to miss the newest papers pulled out of the archives of The Morgan Library. 

In celebration of their Music Manuscripts Online, a project displaying the music manuscripts of some of the greatest composers, The Morgan is displaying two of their most valued manuscripts. 
The Mozart compositions were originally part of a music notebook belonging to his sister, Nannerl. On view are two pages; along a margin, Leopold, their father, teacher, and the transcriber, wrote "compositions by Wolfgangerl in the first 3 months of his 5th year of life." These are the earliest documented works by Mozart anywhere and an indication of the genius that would soon change music history.
How fabulous; rock star relics! 

Tuesday, October 5, 2010

Ranelagh Gardens

Ranelagh Gardens (pronounced Rawn-a-lah or Ran-a-ley in some cases) was one of the 18th century watering holes of the social elite of London.  Like a classic newest big thing, Ranelagh was instantly popular which instantly gave it a reputation for being a prime place of celebrity spotting and showing off your newest fashionable wear.  Those finely dressed and with enough shillings to be admitted to the public gardens were entertained by the scenery in the form of tree-lined roads, a man-made lake, and even a Chinese pavilion which was built later in 1750 when their was a fad for all things oriental.  Ranelagh was also an ideal setting for a masquerade.

The gardens' main attraction (which rivaled the attraction of people-watching) wasn't lovely flowers, no, it was the architectural wonder known as the Rotunda.  The Rotunda housed musical performances such as the composer, Mozart who performed there as a child.  Those entering the Rotunda would be awed by the centerpiece, a large, ornate support containing the heat sources so you could walk about even in the cold of winter while other pleasure gardens were still closed.

Despite its extreme popularity, Ranelagh's 18th century heart, that is the Rotunda, was destroyed in 1805 after a drop in visitors.  The gardens remained but lacked the atmosphere they once boasted in the previous century.  The soul of Ranelagh was now gone.  However the atmosphere is still captures in the immortalized prints and paintings of the romping ground.





Monday, March 1, 2010

Why Amadeus Rocks

Those who have seen this older post know that I am quite the fan of Amadeus. Recently I was on IMDB looking up fun facts about the movie, which was adapted from the play by the same name, and they just confirmed the fabulosity of the film. Let me share!

Sets and costumes for the operatic productions were based on sketches of the original costumes and sets used when the operas premiered.

The entire film was shot with natural light. In order to get the proper diffusion of light for some scenes, the DPs covered windows from the outside with tracing paper.

The performance of "Don Giovanni" in the movie was filmed on the same stage where the opera first appeared.

Prague was ideal as a stand-in for Vienna, as modern television antennas, plastic and asphalt had rarely been introduced under Communist rule.

Only four sets needed to be built: Salieri's hospital room, Mozart's apartment, a staircase, and the vaudeville theater. All other locations were found locally.

Several professors of music stated, after studying all of the musical keys struck on pianos throughout the film, that not one key is struck incorrectly when compared to what is heard at the exact same moment. In other words, what you see is exactly what you hear.

During the opening scene, where Salieri is carried through the snowy streets, he is carried past a large extravagant mansion-like building where a party is in progress. According to Milos Forman, this building is, in reality, the French embassy in Prague.

The screen-writer and creator of the play, Peter Shaffer shares his name with the original set designer (for the premier) of Mozart's opera Die Zauberfloete (The Magic Flute).

When shooting the scene in which Salieri is writing down death mass under Mozart dictation, Tom Hulce was deliberately skipping lines to confuse F. Murray Abraham, in order to achieve the impression that Salieri wasn't able to fully understand the music he was dictated.

Meg Tilly originally was cast as Stanze but tore a leg ligament in a street soccer game the day before she was to film her first scene. Elizabeth Berridge replaced her.

Now go watch the movie with your friends and impress them with your knowledge of the film!

Friday, April 10, 2009

Tart of the Week: Anna Nancy Storace


The opera beauty Anna Nancy Storace was born in 1765 in London to an Italian father and English mother. Like many of our past musical tarts with musical fathers, Nancy's dad wanted his children to follow in his musical footsteps and began training Nancy in singing from a young age. Nancy's talent shone and she began performing all over and even had some royal audiences. By the age of 13 she was studying opera in Italy.

By the time Nancy was eighteen she was an opera star on the Vienna stage. The Viennese loved her and Nancy loved the celebrity. Unfortunately Nancy's good fortunes took a turn when her mother encouraged her to marry some old English musician by the name of John Abraham Fisher. The marriage was a disaster. John was cruel and would beat his poor little wife. The abuse was so bad that Nancy would be forced to cake on makeup to hide her bruises. Eventually the gossipers caught wind of the abuse and the news reached the musical Emperor Joseph II, Marie Antoinette's brother. Well, Joe couldn't have his prized opera singer performing Salieri's masterpieces all black and blue! He booted Fisher out of Vienna. If only emperors always stepped in to save our tarts from awful husbands!

Nancy's husband may have been gone but she was now pregnant. Another disaster befell her when she collapsed and lost her voice for a few months. A daughter was born not long afterward but given to a foundling hospital where she later died. After the dramatic hiatus Nancy returned to the stage and back to her celebrity lifestyle. This time her celebrity lifestyle included men...a lot of men. Nancy got around, dating many of the musicians in Vienna. It is even rumoured she dated Vienna's most famous musician, the first ever rock star, Wolfgang Amadeus Mozart. Another supposed love of the loose lady was Emperor Joe. What would his mother say! Tsk tsk.

Beside her romantic involvement with Mozart, Nancy also made a great effort in bringing the rocker to England to compose an opera. However, when Mozart received his royal invitation (from the Prince of Wales, can you imagine the mischief they would have got in? Mozart would never have finished an opera) Mozart was dying and would not be able to make the journey.

Nancy returned back to her homeland to continue her career. It was here she began her longest and most successful relationship with fellow British opera hunk, John Braham. The two would have a son together, Spencer. The rest of Nancy's life continued to be pretty happy. She even struck up a friendship with fellow tart, Emma Hamilton. Sadly though, her last remaining years would not be as blissful. She had a painful breakup (after eighteen years) with Braham which resulted in legal battles. Jerk. A few years afterward, in 1817, Nancy suffered from two strokes and died.

For more information regarding this mistress of music you can visit her biographer's site.