Showing posts with label John Hoppner. Show all posts
Showing posts with label John Hoppner. Show all posts

Tuesday, June 26, 2012

Hoppner's Drawings of Ladies

I haven't written extensive on John Hoppner before, which is a shame because he is one of very talented artists to come out of the late eighteenth century.  His parents emigrated to England from Germany to be attendants in the London palaces of Hanovers.  Hoppner's talent as a tot gained the notice of George III who continued to encourage the boy and was his first patron.  George's interest in the boy caused whispers to fly that Hoppner was an illegitimate son of the king, but it is highly unlikely.  Hoppner painted some of the great personalities of the time but it is his drawings that I find particularly captivating. 

Georgiana Duchess of Devonshire, 1784
Sarah, Countess of Tyrconnell, 1792
Mary 'Perdita' Robinson, c1783
Unknown Lady, 1785
Lavinia Banks
Catherine Bulteel, 1781

A Standing Woman
Mrs Houlton, 1801
Lady Charlotte Maria Waldegrave, 1780
Jane Douce, 1804-6

Wednesday, May 19, 2010

Favorites


John Hoppner, The Franklin Sisters, 1795

Sunday, September 7, 2008

The Enlightened Family Portrait, Part 1 Women and Children

There were many means of expressing a sitter's sense of Enlightenment in portraits. One of the most popular accessories a sitter used was their family. Family portraits in the 18th century weren't necessarily commissioned because the sitter wanted to immortalize their children or save money with a group portrait, it was a means of immortalizing yourself as a creature of Enlightenment. Of course, not everyone had selfish motives by getting a family portrait, but the rise in their popularity can be attributed to this trend. The painters who thought outside the box with the composition and the sitters' interactions with each other produced some of the greatest paintings in this genre. After all, anyone could snap a family portrait at Sears but is that who celebrities go to when they want theirs? No, they tend to want something creative that shows a hint of candour and love. The same concept went for artists in 18th century and it is what made painters, such as Joshua Reynolds. See why these painters made the big bucks:



Joshua Reynolds, Georgiana, Duchess of Devonshire and Her Daughter, 1784

John Hoppner, Harriet, Viscountess Duncannon and her Two Sons, 1787


George Romney, Jane, Duchess of Gordon and her Son, the Marquis of Huntly, 1778

Joshua Reynolds, Lady Cockburn and Her Three Eldest Sons, 1777

Joshua Reynolds, Lady Smith and Children, 1787


George Romney, The Gower Family, 1776-7

Joshua Reynolds, Miss Cocks and Her Niece, 1789