Movie Review: The Duchess (Part 1)

WARNING: After you pass this line you run the risk of reading about aspects of The Duchess you may not want to know until you see it for yourself. If you have seen the film, by all means please continue and be sure to leave your opinion as well. If not, please move on to other gossip unless you don’t mind spoilers!

Synopsis
The Duchess begins with a young Georgiana or Gee, as she is known throughout the film, when she finds she is about to leave her childhood home and marry the “most powerful peer,” the Duke of Devonshire, hereafter known as William. After an awkward wedding night, Gee quickly discovers that married life is disenchanting with her socially-awkward and cold husband who only sees her as a vessel for heirs. He immediately forces her to accept his bastard daughter Charlotte whom she eventually loves as her own. Two daughters quickly follow, much to William’s chagrin. We are then introduced to Bess Foster, the sassy dark enchantress who Gee instantly feels a connection to after seeing her interact with William at a ball. The two instantly become friends and Bess moves in with the Devonshires but Gee’s world crumbles when she discovers that William and Bess are having an affair behind her back. This leads to Gee having her own affair with Charles Grey, a childhood friend. When their affair is discovered, William gives her the option of choosing between Grey and her own children and she picks her children. Unfortunately at this time she finds she is pregnant with Grey’s child, whom she has to give up in a heart-wrenching scene of motherly pain. Then she comes back home and goes to a party. The end.


The Film as a Film
Rating: 4 Stars

I did like this movie. However, when I was watching it I didn’t see my Georgiana or Amanda Foreman’s Georgiana, or maybe even the real Georgiana. But I will get to that later. The movie as a movie was pretty good.

Saul Dibb proved he could play with the big boys of costume dramas. I found his art direction to be well done especially in giving the viewers a window in the emotions of the characters. This comes with the exception of the wedding scene in which we have a close up of Gee's head as she takes a five minute walk up the hour. At this point my companion, Cac went "I'm getting kinda uncomfortable being this close to her for this long." The relatively unknown Rachel Portman composed the score and did a phenomenal job with the music. If only the soundtrack was longer!

The writing did not impress me but still managed to be entertaining. There were at least two lines that had me burst out laughing due to cheese-factor. They escape me now, but I recall the Duke saying one of them. It made me wonder if there were more silly lines that just escaped me because of the actors’ performances. Why does every English 18th century flick lack what the French ones include: frivolousness. It was a time of gaiety, parties and gambling, people weren’t so stuffy. There should have been many scenes of gambling and parties and fun-drunken Georgianas. As for the choice of scripts, Amanda Foreman has discussed how she was presented a variety of scripts based on her biography and how she hated them all, but liked this one. I feel like, the writers, Jeffry Hatcher (Casanova) and Anders Thomas Jensen (many German movies) chose a small portion of Georgiana’s amazing life that portrayed her as Marie Antoinette or any other aristocratic woman from the period (married young-bad marriage-no kids-angry mother-rise to fabulous-affair-downfall), with no unique aspects to make her stand out. But that is what drew us to Georgiana initially! As Jezebel, likes to point out, many Oscar-worthy films, or films in general, seem to portray female leads in three categories: Hookers, Victims, and Doormats. Gee is definitely a victim; there is no victory for her. And yes, this chapter of Georgiana’s life did leave her the victim, but she is a phoenix and there was a rebirth. But in every minute of this film Gee is portrayed as this isolated prisoner. What about her true-life victories? She was a female-pioneer in politics, a loved celebrity, a fashion guru, and a wife who did eventually overcome past marital problems and teach her husband to love her. Indeed, the Duke was inconsolable when she passed away.

Ralph Fiennes STOLE THE SHOW. Seriously, how amazing was he? He was spot on in his portrayal of a very difficult character to interpret. Due to the lack of personal letters from the very introverted Duke, it is hard to give voice to this character. But Fiennes took what little he had and turned out a great performance. Hayley Atwell did well in her portrayal of Bess but it was not the Bess described by Foreman. Atwell was a strong seductress, whereas Bess played the part of a meek woman in order to manipulate.
I will never call Miss Knightly a bad actress, because she is not. But I knew that the part of Georgiana would be too complex for a 23 year old, and I still stand by this. I saw a lot of Elizabeth Swan and Bennett, etc in her Gee. One of the aspects of Georgiana's personality that Foreman emphasized was her naivety through most of her life, and her many attempts to please the Duke. I felt that this lasted for about five minutes in the movie. Also, she played an unconvincing mother, Georgiana was very devoted and in love with her children. Knightly’s hugs and coos seemed superficial. However, she put on a convincing performance in the scene where she had to give up Eliza Courntey.
Cooper's Grey was forgettable, but what he excelled at was chemistry with Knightly. The duo did extremely well in their convincing portrayals of affection. Plus the love scenes were pretty hot.

I will end this review on a high note. FASHION! The costumes surpassed my expectations. Well done Michael O’Conner! I was pleased to see many that I hadn’t seen in stills. As Lauren has pointed out already, there seemed to be strength in the jewellery as well, especially the earrings. The hair was particularly well done, although I missed the lack of powder. I loved every coiffure, and yearned to see them from every angle because the backs of the doos were particularly well done in curls. Like a nice, neat bow on a fabulous present.

I intended to write on the accuracy of the movie to Georgiana’s life, but I will leave that for the next post since I, obviously, have a lot to say and you may need a breather after that rant. Stay tuned!


What the Ton Says:

Marie Antoinette's Gossip Guide
Scandalous Women
Mythosidhe

Tart of the Week: Peg Woffington

Margaret Woffington's career began began at an early age when her bricklayer father suddenly died. She roamed the streets of Dublin singling for money or selling watercress door to door to support her family. It was in these humble beginnings that she was 'discovered' at the age of ten, and given her start on the stage.

For about 10 years Peg acted and danced in various theaters around Dublin in order to get by. Her big break came in 1737 (probably age 17) when her Ophelia met great acclaim in a production of Hamlet. This allowed her the prestige and money to travel to London in 1740 to attempt to make it big there. She luckily was immediately met with success, although this could be because she took a breeches role. It never hurts to show some skin in showbiz!

Not only did Peg show a skill in playing breeches roles, which she was given quite frequently, but she took to playing aristocrats well. An interesting fact considering her voice was described as "harsh." Peg quickly gained the reputation of being a leading comic actress and began having friends in high places such as the Gunning Sisters and one of the most famous actors in history, David Garrick. In fact, a love bloomed between the two thespians and they lived together (in sin!) for a while. The couple had planned to wed but Peg ended up dumping him.

She went on to have numerous public affairs with men in high places such as the Earl of Darnley and MP Charles Hanbury Williams but managed not to have any children. A smart tart, I say! Actually she was known for being a kind, genuine person, however tart-like. In fact, she was so well-liked she was even the president of Thomas Sheridan's Beefsteak Club in Dublin. Normally clubs were a place for men to gamble and and be debaucherous so women were not allowed. Peg was actually the only woman member in the Beefsteak Club as well as President. It was whispered, however, that Peg didn't get along with fellow popular actresses George Anne Bellamy and Kitty Clive. Many heated arguments are said to have erupted between the actresses up until Peg's death.

Like any good actress, Peg left with a dramatic exit. While playing Rosalind in a Covent Garden production of As You Like It, she suddenly collapsed and was said to be paralyzed. Although she recovered from her accident, it forced her retirement. She spent the next three years in ill-health under the care of an army officer, until she died in 1760 at the age of 40.

Quotables

"A work of art that contains theories is like an object on which the price tag has been left."

-Alexander Pope

Chatsworth: The State Drawing Room

After leaving the State Dining Room visitors enter the State Drawing Room. This is one of the smaller of the rooms and has a similar style to previous room with its wood paneling and carvings. However, this room contains a priceless tapestry based off of Raphael's cartoons, which are now housed in the V&A Museum. The tapestry itself dates back to 1635, the original tapestries that the cartoons were made for still hang in the Sistine Chapel.

The ceiling's mural is another Laguerre. In the corner, the adulterous Venus hides in the arms of her Lover, Mars while her husband, Vulcan discovers them from behind the red curtain. You cannot see it in my unfortunate photo, but in the main frame of the mural, Mercury is pointing to the hiding lovers so that everyone, including guests can discover them.

The chairs contained within are coronation chairs of King George III and Queen Charlotte, a gift to the 4th Duke.